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We have a fun feature for you today. The Seibertron site got to meet the writer for Bumblebee, Christina Hodson, for an interview conducted by our very own Jon Bailey. There was more fun to be had as well:
Go with Jon Bailey (voices of Shockwave & Soundwave) to Paramount Studios to interview Bumblebee writer Christina Hodson, create the sounds of Bumblenee with foley artists Dawn Lunsford and Alicia Stevenson & go under the hood of the actual VW Bumblebee car with mechanic Sarah Lyon! BUMBLEBEE IS OUT NOW ON DIGITAL, DVD, BLU-RAY & 4K ULTRA HD!
Special thanks to Paramount & Seibertron.com!
We hope you had fun with this as much as Jon did. Please remember that Bumblebee is out on Blu Ray today for all of you to enjoy!
Remember the news we got back at toyfair that Super7 would be producing some new G1-inspired non-transforming action figures? Well, have you wondered where the company came from and what else they have done?
Thanks to a new interview conducted by Popular Mechanics, we have a great interview with the Founder, Brian Flynn, and his thoughts on the history of the company, which was founded in 2001, as well as some of its highlight moments, which include a plethora of science fictions, the foremost being Aliens.
Check out the full interview by following the above link, and check out some snippets of the interview below!
ased in San Francisco, Super7 started in 2001 with a book about Japanese Kaiju toys, which turned into Super7 magazine, focused on Japanese kaiju and toy culture, and art and design. In addition, was the seed that would sprout into a company that made actual toys: a printed coupon for an exclusive repaint of a toy, based on color schemes they thought would look more outrageous than the Japanese variants of the time. "The Japanese sensibility on repaints is always very referential," founder Brian Flynn explained to Popular Mechanics in an interview. "The way we approached our recolors was more as what would be cool. 'Let’s make a Hedorah that is clear yellow and orange with red highlights and it’s in glitter. It’s the meltdown Hedorah!'"
...
With the approval of Lucasfilm on their résumé, Flynn decided the next toy he’d re-create would be a lost opportunity from his childhood: the famed 1979 Kenner 3¾-inch Alien prototypes. He was able to track down who owned the prototypes—because a lot of the time they leave with company employees and are sold to collectors—obtain a license from Fox, and finally make the figures real. It was really a turning point for Super7, such that Flynn talks about the company's success in terms of "before Alien" and "after Alien."
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Another exciting addition to the catalog are the first screen-accurate Transformers from the original Generation One cartoons—because they don't transform. For companies like Hasbro, the transformation is the whole point of the line, but that comes at the cost of accuracy. "By the nature of that toy physically having to transform," Flynn says, "you’re only going to get 85 to 90 percent screen accurate because you have to put the mechanisms in.” Super7's Transformers Super Cyborg Deluxe Action Figures, each 11 inches tall and fully articulated, have transparent removable chest panels to show off their robotic guts inside in lieu of transforming super powers.
Aside from producing fan favorites, Flynn wants to make all the weird secondary characters, the ones major companies would never be able to make and sell to retailers like Target and Walmart. “I want to make that guy in the background of the third episode from the second season that’s there for five minutes,” he said.
“I hope it’s obvious to everybody else that we’re having as much fun as possible with this, Flynn says. "It's not lost on us that we collectors all sit at home and go 'Wouldn’t it be cool if they did this!?' but there’s only a couple companies that can actually get things made.” After 18 years of business and success with cherished toy lines, Super7 is uniquely positioned to take on those sorts of what-ifs, and fortunately for us all, that's just what they intend to do.
Not too long ago, there was an interview with John Warden where he spoke about the design work for the upcoming War for Cybertron Siege Omega Supreme. Well now, courtesy of Hasbro Pulse, we have the 2nd part to that interview, which includes some more details on how the figure got all the technical details as well as a size comparison to the Combiner Wars Devastator toy, who is pretty much dwarfed by his rival.
Check it out below!
We’re back with Part 2 of our Hasbro Pulse: Behind the Design with John W. from the Transformers design team. Read on for more designer details on the recently revealed War for Cybertron: Siege – Omega Supreme figure.
Hasbro Pulse:
Between the G1 show, comic books, previous Omega Supreme figures—how did you decide on the design for this figure?
John:
We had a couple of big meetings between Takara Tomy and Hasbro. I still recall a moment when I think Hasui-san came here to the United States and he brought a cut-out standee of the character based on the G1 cartoon style. Fans of the cartoon know that it’s simplistic, with a lot of smooth surfaces, and the proportions are slightly different. They’re subtle, but noticeable differences.
When we looked at that collectively as a team, our pushback was to have more of that concept art feel to it, with a lot more surface details to make it feel sophisticated and detailed, because the rest of the Siege line is covered with lots of little details that aren’t really evident in the G1 cartoon series. Hasui took that information back to Japan and worked with the designer, Kunihiro-san, who is a big fan of putting lots of detail into things – he really ran with this direction. He’s a scale modeler and is one of the original Transformers designers who worked on Star Saber, and some of the legendary characters from the late 80s and early 90s. We blended the world of G1 and the more concept art feel and brought to life this new style that is detailed and has lots of panels and extra pieces that weren’t there before.
One of the biggest challenges from an aesthetic standpoint is how do you not disappoint the G1 fans, but also continue to push the brand forward and keep it in line with the gritty, war-torn story that we’re telling with War for Cybertron: Siege. I’m really happy with the balance that we struck between the two – it hopefully satisfies the G1 fans, but it also pushes us into a cool new place for fans that are starting to collect this new Cybertron universe.
Hasbro Pulse:
Once you’ve decided, “OK, we’re doing a massive two-foot Omega Supreme figure”, what comes next? What’s the process like? How do we get from an idea to final product?
John:
We start with determining scale. How big is it, how big can we afford to do for the price point and still provide a good value to the consumer? What is the list of priority things we want to do? And then Takara Tomy comes back and they provide an early idea of their vision and how it’s going to convert.
Kunihiro would put together loose sketches on graph paper, figuring out all the major geometry of the figure. They come back to us with a proposal of the basic forms and we will provide extra reference on detail. Sometimes we’ll work with commissioned artists from around the world to bring a level of finish to it. Takara will take that and work with their model makers, taking some of the detail illustrations and build it into the 3-D model.
The 3-D model then allows them to test the conversions and identify any part interference. We go back-and-forth on a number of parts, details, and sketch in different areas -- “change this,” “make this piece bigger,” “make this piece smaller.” And then once we’re all in agreement, a gray model is created – this is the exciting part! Takara Tomy will create this literal, gray, one-of-a-kind prototype Transformer and they’ll send us a video – it’s always on this black, rotating platter – and they’ll slowly rotate the figure so we can get a sense of how big it is. With Omega Supreme…he was so big that his feet were hanging off the platter. As it rotates around, they stop the video and show how he converts.
It isn’t until this point that you really get a sense of the mass— you knew how tall he was going to be from the blueprints we had tacked around the office, and an impression of how big all the different elements are. It’s not until you see the designer converting it from robot to space station that you really get the “Wow, that rocket is huge, and that tank is a lot bigger than I thought it would be” feeling and it gives us a chance to see if there’s anything else we want to put into it. From there, they take that model and they create what’s called a final production model, a PT. They’ll take this model, refine it and make sure there’s no interference with the parts and pieces, and will also make sure it meets all the safety requirements
From that point, Takara Tomy puts it into production with the factory and we’ll start to see prototypes coming in. Simultaneously, we work here in our Rhode Island office to create what’s called a deco sheet where we spec out the molded colors, determine how many paint operations there are, and then try to bring that to life.
I work with a model artist here to create a painted prototype. This is the stage when the stars start to align. We’ll send that same deco spec to the factory; the factory will start to generate painted samples and then we’ll start to test out the joints and any QA concerns. We work closely with engineering at this point, to make sure all of the pieces are working properly.
After all this, we then get to reveal the figure to the fan at big events like the Entertainment Brand Preview event this past weekend in New York, and we have a chance to meet with fans and hear what they have to say. And then the whole process begins all over again with a new Titan character!
Hasbro Pulse:
That sounds like a lot of work.
John:
It IS a lot of work! Honestly, it takes months and months to do it, but it’s an incredible job and it’s great to be able to take something you’re passionate about and make toys for fans and work with awesome writers, creatives, engineering teams and stuff. We’re all fans and and we dig it. It’s a great job to do, it’s a ton of work, but it’s incredibly satisfying when a fan comes up to you, and you talk to them for an hour at a convention about how this toy really captures something for them – it is really something special. You come to realize that you’re doing more than just designing toys; you’re creating memories and you’re creating moments for people that they can spend with their kids, or they can spend bringing to life a battle on their shelf. It’s more than just a toy, it’s something so much more. I think that’s what I like so much about it.
This has been Hasbro Pulse: Behind the Design with John W. Hope you enjoyed this deep dive into the War for Cybertron: Siege Omega Supreme figure.
There was a bit of confusion last week with the announcement that the Bayverse was here to stay, at least in some fashion. Of course, no one associated with the films had said otherwise and the word "reboot" had never actually been used but some fans were eager to move away from the Michael Bay films of the past. Producer Lorenzo di Bonaventura acknowledges this in his latest interview saying that he has definitely heard the disdain for Michael Bay's films and the joy at the change of pace and style found in the Bumblebee film, which focused more on character. Bumblebee proved that a film set in the Bayverse could be different enough to provide fans a new experience and future films will follow suite, it is a lesson the producer has learnt.
However, Mr Di Bonaventura did also hear many fans saying that Bumblebee did lack the level of action that came with a Transformers film. Afterall, it wasn't necessarily the action element that fans disliked from the Bay films. So future films will try to satisfy both parties, those looking for more of what the Bumblebee movie offered and those seeking more "Bayhem". That was his choice of words, which you can read below in an interview from Collider.
Also, while an Optimus Prime centric film was on the table at some point, the producer has stated that this project has morphed into the buddy movie of Optimus and Bumblebee which will serve as a sequel to last year's Transformers: Bumblebee movie. That tidbit was reported in an interview with The River.
“…the audience had asked us several times, in different ways, ‘I want to get to know a Transformer better.” We did that. In some respects, definitely a tip to what the audience had said to us. The interesting part is when you set out to do something like that, you don’t exactly know the ramifications of it. In this case, the ramification of it was, for the people who didn’t love the movie, was not enough action. Because you’re telling a more intimate story, therefore you can’t. So the criticism we got from some fans was like, “Hey, come on.” It was funny, I was just in Japan…and one of the reporters said to me, ‘I love the movie, I love this, I love this, and I was very tired of Michael Bay.’ I said, ‘Uh huh, I’ve heard this before.” And he goes, ‘But you know, after watching this film, I kind of wish it had a little more Michael Bay.’ It was really funny. I said, ‘Listen, I completely understand. I like what Michael does, too. Two different films, two different attempts.'”
“Several lessons have come out of this. One is that we have the freedom to tell almost any story. The other is that, how strongly the audience identified with the strength of character and emotion. I know the next Transformer, our attempt anyway, is to sort of do a fusion of Bumblebee and the Bay movies…a little more Bayhem. And a little bit more of the character falling in love within the emotional dynamic of the movie. One of the things I want to do—and I hope we pull it off—is, we did it with Bumblebee because he’s so cute and he’s so accessible, but he can’t talk. I think the more human we can make these characters, the more people are going to like them.”
The main Transformers film franchise producer, Lorenzo di Bonaventura, stated he is currently overseeing the scripting of two Transformers films sequels. He said so as part of a bigger interview to a Japanese movie news website as part of the Bumblebee press tour. One of the films is the next big tentpole Transformers film to follow The Last Knight, while the other is a sequel to Bumblebee. Please keep in mind that the film following the last Knight was already said to be a new experience and thus may involve a new storyline rather than finishing what was started in the Last Knight. The Bumblebee sequel is said to be a buddy movie featuring Optimus and Bumblebee. So one would take place in the past while the other in the present.
Here is a quote from the website:
Throughout the day, Di Bonaventura talks with smiles," Our greatest mission is to the audience To be satisfied, "to meet the expectations of the audience." To that end, he and his colleagues are already working on a new series. "We are already working on two projects and are in the process of writing a script. One is the latest in the main family series following Transformers: The Last Knight and the other is a sequel to Bumblebee So, we are thinking of works where Optimus Prime and Bumblebee will be the buddy (buddy), but when Optimus and Bumblebee are the movies of the protagonists ... how human beings get involved in their drama In the first place, the size is different between human beings and theirs .... It's a worrying point (laughs).
This of course puts the whole kibosh on fans wanting a complete reboot. Of course, the fact that the same producer overseeing the entire franchise at Paramount had confirmed that there was no reboot all along was also a pretty good hint.
Hasbro Pulse released an interview with John Warden about Omega Supreme, read it below and check out the detailed images of the mold.
Welcome to the first edition of Hasbro Pulse: Behind the Design, where we talk to the product designers behind some of your favorite toys and collectibles. We sat down with the Transformers Senior Design Manager, John W., to get the scoop on the recently revealed War for Cybertron: Siege – Omega Supreme figure.
Hasbro Pulse:
This figure…pretty darn big. Exactly how big is this Omega Supreme?
John:
He’s approximately 2 feet tall. You really have to look at this character – a lot of people judge the height of the character by the head. For some fans, it will be up for debate, but we’re saying he’s about 2 feet tall and is the largest in the Siege toy line. What’s interesting about a character like this is that not only is he big, but he has a solid feel to him, too. We’ve been listening to the fans and we’re trying to eliminate some of those plastic voids.
Hasbro Pulse:
Before we go any further, I have to ask, does this Omega Supreme figure have waist articulation?
John:
He does, he definitely does. We get that question a lot! “He’s cool, but does he have waist articulation?” It’s funny how much the G1 toy design has influenced people’s opinion. I remember as a kid this guy really throwing down in the cartoon, and he would bend at his waist, and could do all this different cool stuff. I remember playing with the G1 toy as a kid, and thinking to myself, “Wow…not only is it smaller than the cartoon, but it’s definitely not moving like the cartoon.” Fans of Siege know there’s a lot of articulation we built into these figures, and we wanted to make sure that the Titan Class character also had the same level of articulation.
Hasbro Pulse:
I imagine with a figure so large, you’re dealing with challenges you wouldn’t otherwise see on smaller figures. What would you say was your biggest challenge when designing this figure?
John:
Like all Transformers War for Cybertron: Siege toys, we partner with Takara Tomy – they are really the legends of converting from robot to vehicle or beast or whatever it is that these characters convert into. The experts at Takara Tomy presented a bunch of big challenges out of the gate. Our job at Hasbro is to carry that vision and communicate, “Here are some of the big things that we want out of the character,” and give Takara Tomy a list of priorities. I think probably the biggest challenge out of the gate was we had a pretty darn big wish list for this character. Trying to get everything into a character this scale was a challenge. The hardest thing of all is really when you have a big character, like all Titan Class characters, you’re dealing with the weight of the character and the physics of it – how do you retain poses and how do you allow the thing to convert? In the case of Omega Supreme, part of his conversion is that he (to use the parlance of Transformers fandom) is a parts-Transformer, so he actually breaks apart into a couple different pieces, like the 80s version did. Having the pieces connect in a robust way that still allows him to articulate to retain those cool poses was a huge challenge. So, in summary, we asked for the moon and we got a space station.
Hasbro Pulse:
You talked about this figure as a parts-Transformer and how he breaks into all these different parts. Can you walk us through all the parts that make up Omega Supreme?
John:
First there is his robot mode that features a lot of G1 cues, like his movable hand that’s so classic to Omega Supreme. He also has Fire Blasts – these little clear effects parts that we’ve been including across the line. Omega Supreme has special ones that compound onto each other and can be posed out in his hands or across his body by way of the 3mm port system to give a frozen-in-the-moment-of-battle effect for the big robot. When you break him down into his vehicle/base mode, he has a rocket base station with a track. We’ve elevated the track so it’s more like a perimeter defense wall. And then, he of course has a tank that can fit on this track. It’s not motorized, but we have allowed it to connect to that track and move around on it in a cool way, like a monorail does, hanging off the side a little bit.
Then we have this huge rocket. The rocket is really, really impressive. When you see it in person, it’s a nice, fully detailed, very realistic-looking space-themed vehicle with an awesome cockpit up at the top. You can open that up and find all sorts of cool little sensor details on the inside and it perfectly fits the Micromaster Autobot Countdown figure. Omega Supreme is the only place you can get this Micromaster character. This is actually more of a throwback to the rocket base Micromaster set from the late 80s. Not to totally geek out on it, but the original Omega Supreme didn’t come with a Micromaster, so this is a way for us to bring Micromasters into the whole experience of the Titan Class. This is what we usually do with our toy lines; we try to let the Titan Class guy epitomize whatever the ecosystem is for the year, like when we did Predaking. We put the Prime Master Onyx Prime figure in there just because it was part of the ecosystem of the Power of the Primes. And for Omega Supreme, the ecosystem is about weaponizing and armoring up with a combat system. It’s also about these Micromasters so we’re hoping fans are satisfied by being able to get not just a cool G1 character, but also something that becomes the pinnacle of their whole collection.
Hasbro Pulse:
What was your favorite part about this figure? Is there anything that you hope fans notice? Is there anything that you’re like, THIS is the coolest part right here, this is it?
John:
I could geek out for a long time on this thing, but between Hasui-san at Takara Tomy and I, we really built in all sorts of little Easter eggs into this figure. I don’t want to spoil them all here, but one of my favorite things about this figure is outside of the little canopy inside of the rocket for the Countdown figure, there are little hidden places to put your Micromaster figures across the whole thing. One of the challenges we faced by making this come apart into two different components to form the rocket base was that you got a lot of really unusual geometry in the rocket base part. You have these voids, you have a half cylinder piece going through the whole thing, and also a section where the tank fits inside of it. Even back in the 80s, this gantry tower kind of thing that came with Omega Supreme was kind of an afterthought.
Once you start to play with Omega Supreme, and you start to unfold all the pieces, you’ll find that there are a lot of little details designed in the figure, and I’m only going to give away one secret: In the 80s, the tracks on the outside were in this round circle that went around the rocket base. We designed the track elements to connect in different ways, so if you were lucky enough to have multiple guardian robots, you could connect the tracks together and create a highway of sorts. The connection system that we’re using on there is the same connection system we’ve used in the past on Fortress Maximus and I think even some of the Titans Return characters had them. So, if you’re one of those people who has a huge collection of base-forming robots, you can start to connect them together.
A video from unicron.com surfaced on Facebook with John Warden talking about the new Jetfire and Omega Supreme toys done by him and his team. The big takeaway from it was the fact that both feature backwards compatibility with the previous toyline trilogy John Warden worked on, Prime Wars.
Omega Supreme has ports on his track which are compatible with the bases in Titans return including of course the other Titans Trypticon and Fortress Maximus. This is so that fans and kids can build their own massive citis with the huge bases. You can see those connecting ports on the image below.
Jetfire also has backwards compatibility but with Prime Masters and Titan Masters. Both of those smaller kinds of bots can sit in Jetfire's cockpit.
These are just fun Easter Egg type features that will not be documented since they are meant as a bonus to fans who already have figures from prevous lines. If you don't have those previously released figures, don't worry there is a lot to enjoy from these fgures which each have their own special features.
Another point regarding Omega Supreme, John Warden did confirm that his bot mode is meant to scale with Devastator.
Let us know if any of this info makes you happy and if you feel Hasbro is taking things up a notch with their Transformers toys.
Travis Knight sat down with Empire for their spoiler podcast to discuss the Bumblebee movie in his most candid interview yet. While he discusses a lot of this prequel's aspects we wanted to share some segments pertaining to the continuity with the Bay films. It is a subject he does address, and one the interviewer is very curious of (as we all are). He does mention why certain aspects may be inconsistent or not mentioned, even though it is a prequel and within the larger Bayverse. We have a transcript of those questions and answers below along with a question pertaining to Alf.
Please note, the transcript is a slightly edited version of what was said, for ease of reading.
Was it important to bring sector 7 back in because it was a nice little running thing for this
Yeah, we wanted to have a foot in each world. There is the last 10 years of Transformers movies, directed by Michael Bay, which have a ton of mythology and also the original wave of Transformers which had its own mythology and its sometimes connected and sometimes not with the films and so I wanted to have a foot in each world. So we're paying tribute to the last 10 years of live-action films but also a foot in the origins of these things where we can pay tribute to the initial wave of Comics and cartoons. So sector 7 was something that he evolved out of Michael's films. It was a secret society that hunts Transformers and there is a lot of subtle nods to the stuff that Michael has done. Even if you have never seen a Transformers film you can watch Bumblebee and nothing else matters but for those were fans of the live-action series or the cartoons there are a ton of layers and easter eggs and sector 7 is one of them including agent Simmons who is a young John Turturro who becomes one of the heavies later in the series.
Witn John Cena I wanted an actor who was physically formidable and who had layers of menace and aggression and when necessary humor and pathos. For me because I had seen him as a comedic actor, I had never seen him do what we ask him to do in this movie. I was incredibly impressed by what he was able to bring to the movie and he was a real joy to work with.
Regarding the Michael Bay films, were there points of cannon and that you had to stick to? Did you feel constricted that you have to meet certain things or not contradict certain things?
Yes, there is always concern with that although I think that continuity is certainly not a huge priority of Michael's. He prioritizes other things like incredible visuals and spectacle and fun. But even within the films themselves as much as I enjoyed them there are inconsistencies, so with this film if you're going to be consistent with one thing you'll be inconsistent with another thing. But it was important that I had a degree of continuity and wanting to tell a self contained story that was not necessarily bound by a decade of mythology, which was a little bit tricky. We had to simplify it. I wanted to make sure that an audience could come to the film watch it from beginning to end and have a good time, get all the information and all the fun they can get out of it. But at the same time someone who is a Transformers fan can get other layers of entertainment. But yes there were definitely things you couldn't play around with (editor's note, see Megatron article for examples) and there were other things that we could take some liberties with.
Everyone in this reality seems to really like Alf so is that a personal favorite?
Yes that is absolutely me, nobody else cares about Alf, that was me, that was me putting Alf in there.
Alf is amazing and ALF stands for "alien life form" so it's a nod to Bumblbebee and his origins as well.
China.Org has reported of a potential Beast Wars movie as well as the (still rumored) Optimus Prime movie. Bumblebee movie producer, Lorenzo di Bonaventura was also careful to state that the chances of subsequent movies are riding on the success of Bumblebee at the Box Office.
He also mentioned the animated movie was in its writing stage, though with other titles already riding on Bumblebee's success – being in the writing stage doesn't exactly guarantee even the animated movie's release, either.
China.org wrote:"We have an animated movie in the writing stage right now. We are trying to figure out an Optimus Prime movie, while the Beast Wars franchise has the chance, too."
However, the producer stressed this could only happen under one condition: "Bumblebee" must be a success.”
You can read the full report here, which also mulls over design choices for the Bumblebee movie and its more G1 centric aesthetic.
With the Bumblebee movie still being pushed at the cinema is it too early to be giving hints of Beast Wars and Optimus Prime to generate hype for more movies or is it a carrot to generate additional sales for the Bumblebee movie? If Beast Wars or Optimus Prime is going ahead – what are you hoping for? Share your thoughts on the Energon Pub right here on Seibertron.com!
The percentage in the title is not a turn of phrase nor something inferred in any way, it comes from a quote by Bumblebee movie producer Lorenzo Di Bonventura. Whether Bumblebee is a prequel or reboot (or anything in between) has been a hot topic for fans , especially those who want to distance themselves as much as possible from the previous films made by Michael Bay. These debates have reached Bonaventura who sat down with Metro and explained why to him, the Bumblebee film was 100% a prequel and nothing else. Here is everything he said. Of course, please be advised that it contains spoilers:
“Someone described Bumblebee to me as, ‘99% prequel, 1% not’.” “I was like, ‘What was the 1%?’ He said, ‘It is the scene where Optimus and all the other guys come to Earth at the end.’”
“I was like, ‘That doesn’t contradict anything we have said before. Who is to say they haven’t been around Robots In Disguise since then.’”
“That scene was always imagined but in many different versions. We didn’t do that scene until we’d shot the movie. Because we felt the movie was going to dictate that scene a little bit. What happened is that you got to see Haliee return to her family. Bumblebee needs to return to his family. Otherwise what happened to poor Bumblebee? That was our thinking.”
“Plus Optimus said we are going to go to Earth. We are gonna regroup. And then we are gonna go back. In our minds they went back out. It had nothing to do with the other films, and was completely about the emotional journey of Bumblebee.”
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